Showing posts with label Ed Sanders. Show all posts
Showing posts with label Ed Sanders. Show all posts

Tuesday, August 25, 2015

Poet Emeritus? Already?



            I was recently asked to judge a regional poetry contest along with the great Howard Kogan. I eagerly accepted, although my own preferences in poetry are so peculiar that I really should not have. I expect that Howard’s level-headedness will cancel out my impulsiveness, and all submissions will receive a fair shake. 

            However, as part of the bigger picture, I’ve noticed a trend. Earlier this year, I was invited to become a part of a screening committee for the local arts center, representing the literati of my city. I’m also now on the board of CAPS (Calling All Poets), a Beacon based group that hosts a monthly open poetry mic that is streamed online around the universe. My longtime nickname, “Diva,” has inspired a lot of faux scraping and bowing over the years, often by my chronological elders. I am wondering if lately perhaps the notion of some sort of elder status has imposed itself on my poetic career. 

            It may be that merely by hanging around long enough one attains a sort of eligibility for committees and the like. I have lived in the Hudson Valley for 35 years now, and have been active in the poetry scene here for almost that long. For 10 years I hosted the annual Sylvia Plath Bake-Off, a now defunct midwinter love letter to the late poet that in later editions included a baking contest in addition to an open mic. As friends and family began to exit the planet, I lost my taste for morbid mockery, even as it may be creeping back as a way to stay sane in my later years. 

            I’ve participated in readings from Cape Cod to Waterloo Village, and all points in between. I’ve published a bit of work here and there, but not nearly as much as some of my fellows. I’ve put out a few handmade chapbooks along the way, even before computers and home printers made that self-indulgent act far too easy. 

            Now that I think about it, I was a judge for a contest put on by the Stone Ridge Poetry Society back in the late 1980s, a one-day affair they called “Day of the Poet.” My friend Don Levy was one of the other judges, and I believe we both qualified because we’d previously been winners, or at least placed. “Day of the Poet” was brilliant. In one day, three rounds of readings were held, each smaller than the last, and then finally a winner wast chosen. Judging was based on performance as well as words. It was efficient, enjoyable, and even left room for musicians or truly established poets (hello, Ed Sanders!) to round out the activities. It’s a concept that bears repeating. Hmmmm… maybe I should bring that up at the next board meeting. Any board meeting. 

            Have I crossed the line from ‘new voice’ to ‘elder statesperson’? Is there a line at all? Is it a good thing to be asked to judge the work of others? How do others judge me, let alone my work? All good writing prompts. But then again, the fortunes in cookies are often excellent prompts. And I suppose the answers to be above questions might be as easily obtained. So much for wisdom of the elders… 



Wednesday, November 10, 2010

*College of Poetry!*

     I have been asked to teach in the spring of 2011 at the College of Poetry in Warwick, NY, a relatively new endeavor that bodes well for the future of poetry in the Hudson Valley and beyond. The current format includes three eight-week courses and one or two guest poets per semester, and past participants have included such heavyweights as Ed Sanders and, upcoming on November 13, Janine Pommy-Vega. I am unbelievably flattered to have my proposal accepted, and I'm probably most excited about being involved in the College so that I'll be able to say I was there "when".
  
     The board of advisors consists of several poets whose work and personas I have been familiar with for years. William Seaton is a brilliant man, with an intimidating joy that he finds impossible to repress. Steve Hirsch is the longtime publisher of Heavenbone, a spiritually oriented literary magazine whose staying power is a miracle unto itself. Robert Milby is the hardest working man in Hudson Valley poetry, now hosting a mere three open mics every week but who has managed many, many more. He also keeps us up to date on who's birthday and death anniversary it is, and those juxtapositions alone are often intriguing and thought provoking. I am less familiar with the other members: Steve Calitri, Janet Hamill (who will also be offering a course this spring), Lynn Hoins and Mona Toscana, but their devotion to poetry is apparent by their very presence.

    There is no great financial reward at this point for teaching at the College of Poetry, about an hour and a half from my home. There is rarely any financial benefit to poetry, unless one counts the money saved on therapists and bullets. But the satisfaction of participating is what excites me. An entire school devoted to just poetry! Sounds almost illegal, doesn't it?

     I'll be teaching a version of my RANDOM WRITING workshops, which in themselves are intended to show poets where to find inspiration around them. A sort of planned obsolescence. Check out the website for more information, and contact Seaton on how to register at seaton@frontiernet.net.  The College of Poetry is at http://www.collegeofpoetry.com/index.html.