As well as being National Poetry
Month, April is the birth month of the writer and poet Maya Angelou. Best known for the first of her many autobiographies,
I Know Why The Caged Bird Sings, her
poetry was equally celebrated, and in 1993, she became the first poet to read
at a Presidential Inauguration since Robert
Frost.
In 2001, however, Hallmark
presented a decently designed line of greeting cards that featured Angelou’s
words. Nicely done as they were, the idea of selling one’s poems, especially
the poems of such a distinguished writer as Maya Angelou, really rubbed me the
wrong way. It smacked of the kind of cheap self-exploitation that I would never
have expected of her.
Maya Angelou documented in detail the many jobs she’d done to support
herself during her life: dancer, fry cook, sex worker, actress, and activist.
In the last few years of her life, in constant physical pain according to her
son, she completed several additions to her ongoing memoir, including one about
her relationship with her mother.
Why can’t I completely shake the idea that Hallmark cards were beneath
her then? They were beautiful, a cut above the sentimental drivel that one
expects from a greeting card, and are clearly still held in high regard by
many. They sell on Ebay for a bit more than they retailed for fifteen years
ago. No other poets to my knowledge have followed suit, and why would that be,
since Hallmark has proven such a product can be done tastefully, and presumably
sell well?
Maybe it’s just that so few of us send cards, or any kind of personal
mail, anymore. I have to get my niece’s card in the mail tomorrow, for her
Saturday birthday. Chances are whatever I find won’t be the equal of a Maya
Angelou card. But, would I purchase one if it was in front of me? I still don’t
know.
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